Narasi Transmedia Fiksi Pendek Di Tiktok Dan Reels: Pola Keterlibatan Audiens Gen Z Terhadap Serial Fiksi Mikro

Authors

  • Asa Bellia Audida Universitas Hasanuddin
  • Muh. Akbar Universitas Hasanuddin
  • Alem Febri Sonni Universitas Hasanuddin

DOI:

https://doi.org/10.37385/ceej.v7i2.11972

Keywords:

narasi transmedia; fiksi mikro; TikTok; Instagram Reels; Generasi Z; keterlibatan audiens.

Abstract

Perkembangan platform media sosial berbasis video pendek seperti TikTok dan Instagram Reels telah mengubah pola produksi, distribusi, dan konsumsi cerita digital. Penelitian ini bertujuan menganalisis narasi transmedia fiksi pendek serta mengidentifikasi pola keterlibatan audiens Generasi Z terhadap serial fiksi mikro di kedua platform tersebut. Penelitian menggunakan metode tinjauan pustaka dengan pendekatan deskriptif-kualitatif. Literatur diperoleh dari berbagai basis data akademik dengan fokus pada kajian transmedia storytelling, short-form video, micro-fiction, platform affordances, participatory culture, audience engagement, dan karakteristik Generasi Z. Literatur yang relevan dianalisis melalui proses identifikasi, seleksi, pengelompokan tematik, dan sintesis naratif. Hasil kajian menunjukkan bahwa serial fiksi mikro berkembang sebagai bentuk storytelling digital yang mengintegrasikan fragmentasi cerita, serialisasi, distribusi multiplatform, dan partisipasi audiens. TikTok dan Instagram Reels tidak hanya berfungsi sebagai saluran distribusi, tetapi juga sebagai ruang naratif yang memiliki karakteristik platform berbeda sehingga membutuhkan strategi pengembangan cerita yang adaptif. Pola keterlibatan Gen Z dapat dikategorikan ke dalam empat tahapan, yaitu paparan, keterlibatan, partisipasi, dan kreasi. Elemen seperti cliffhanger, emotional hook, karakter yang relatable, plot twist, dan curiosity gap berpotensi mendorong audiens untuk mengikuti episode berikutnya serta berpartisipasi dalam diskusi dan produksi konten turunan. Penelitian menyimpulkan bahwa efektivitas narasi transmedia tidak hanya ditentukan oleh kualitas cerita, tetapi juga oleh kemampuan mengintegrasikan struktur naratif, karakteristik platform, dan budaya partisipatif audiens. Temuan ini memperkuat pentingnya pendekatan platform-aware participatory storytelling dalam pengembangan fiksi mikro digital.

References

Amanda, A. (2026). A systematic review of short-form video and social media marketing strategies for engaging Generation Z. International Conference on Education, Economics, Business, Entrepreneurship, and Finance. https://proceedings.upi.edu/icebef/article/view/816

Choirunnisa, F., & Setyanto, R. P. (2025). The influence of storytelling content marketing on customer engagement on the TikTok social media platform, mediated by emotional response. Proceeding of International Conference Sustainable Competitive Advantage, 5. https://jp.feb.unsoed.ac.id/sca-1/article/view/4803

DataReportal. (2026). Digital 2026: Indonesia. DataReportal. https://datareportal.com/reports/digital-2026-indonesia

Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York University Press.

Jenkins, H. (2007, March 21). Transmedia storytelling 101. Pop Junctions. https://henryjenkins.org/blog/2007/03/transmedia_storytelling_101.html

Jenkins, H., Ford, S., & Green, J. (2013). Spreadable media: Creating value and meaning in a networked culture. New York University Press.

Koh, J., & De Fina, A. (2026). Drama, dialogicity and personalization in the circulation of a viral TikTok story: A narrative-as-practice approach to online retellings. Discourse, Context & Media, 69, 100973. https://doi.org/10.1016/j.dcm.2025.100973

Page, M. J., McKenzie, J. E., Bossuyt, P. M., Boutron, I., Hoffmann, T. C., Mulrow, C. D., Shamseer, L., Tetzlaff, J. M., Akl, E. A., Brennan, S. E., Chou, R., Glanville, J., Grimshaw, J. M., Hróbjartsson, A., Lalu, M. M., Li, T., Loder, E. W., Mayo-Wilson, E., McDonald, S., McGuinness, L. A., Stewart, L. A., Thomas, J., Tricco, A. C., Welch, V. A., Whiting, P., & Moher, D. (2021). The PRISMA 2020 statement: An updated guideline for reporting systematic reviews. BMJ, 372, n71. https://doi.org/10.1136/bmj.n71

Raulo, S., & Gaikwad, S. M. (2026). Effectiveness of Instagram Reels and short-form video content in driving brand engagement: A secondary research-based analysis. Zenodo. https://doi.org/10.5281/zenodo.20023594

Snyder, H. (2019). Literature review as a research methodology: An overview and guidelines. Journal of Business Research, 104, 333–339. https://doi.org/10.1016/j.jbusres.2019.07.039

Tazijan, F., Che Mat, N. H., Rusli, R., & Mohd Ramli, N. F. (2023). Transmedia reading and Generation Z’s social attitudes. European Proceedings of Social and Behavioural Sciences. https://doi.org/10.15405/epsbs.2023.11.02.40

Towpek, H., & Suriani, I. (2025). Content analysis of short videos as the dominant format for audience engagement on TikTok, IG Reels, and YouTube Shorts: A literature review. International Journal of Economic Literature, 2(12). https://sociohum.net/index.php/INJOLE/article/view/259

Widyoputri, F. A., Maritza, Y., & Mutiarachim, A. (2026). The role of TikTok and Instagram Reels algorithms in short-form video content distribution: A systematic literature review. Proceedings of the International Conference on Business and Economics. https://doi.org/10.56444/icbe-untagsmg.v4i1.3525

Xu, H., Gonzalez Patiño, J., & Linaza, J. L. (2023). Reader influence on the creation of transmedia science fiction: A participatory culture perspective. Humanities and Social Sciences Communications, 10, 279. https://doi.org/10.1057/s41599-023-01772-1

YouGov. (2025). Media consumption report Indonesia 2025. YouGov.

Downloads

Published

2026-08-21

How to Cite

Narasi Transmedia Fiksi Pendek Di Tiktok Dan Reels: Pola Keterlibatan Audiens Gen Z Terhadap Serial Fiksi Mikro. (2026). Community Engagement and Emergence Journal (CEEJ), 7(2), 2490-2503. https://doi.org/10.37385/ceej.v7i2.11972